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                        THE JOURNAL OF NATURE

                        IN VISUAL CULTURE

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                        Antennae: The Journal of Nature in Visual Culture

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                        Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        Antennae: The Journal of Nature in Visual Culture

                        How can we make people care for the natural world so that they might invest in its preservation? For natural historians during the 19th century, the answer was to kill animals in order to set up gorgeous, dioramas. Today, artists are proposing many different answers to the same question, while finding innovative ways to celebrate biodiversity and promote new conceptions of the natural world at a time of unprecedented environmental crisis. This critical reappraisal was central to Making Nature: How We See Animals, the exhibition curated by Honor Beddard at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. Wellcome Collection is a free museum and library that aims to challenge how we all think and feel about health. Making Nature explored how we think about other animals is central to our understanding of ourselves, our place in the world, and the consequences of this for the health of the planet and its inhabitants.



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                        CAROL J ADAMS

                        SUZANNE ANKER

                        JONATHAN BIRTH

                        DOROTHY CROSS

                        CARSTON HOLLAR

                        GARY HUME

                        OLEG KULIG


                        PAULINE OLIVERO

                        PETER SINGER


                        CARY WOLFE




                        Nella Aarne | Libby Barbee | Honor Beddard Sam Butler | Anne de Malleray

                        Joshua de Paiva | Paul Finnegan | Jenny Gilliam Katerie Gladdys | Michael John Gorman

                        David Harradine | Pierre Huyghe | Sonia Levy  Jean-Luc Nancy | Richard Pell | Anna Prizzia

                        Alexis Rockman |Beth Savage | Geoffrey Shamos

                        Sn?bj?rnsdóttir/Wilson | Anna Walsh

                        Phillip Warnell | Yuki Yamamoto

                        AND MANY MORE


                        42 cover

                        THE JOURNAL OF NATURE

                        IN VISUAL CULTURE

                        ISSUE 50 — SPRING 2020

                        remaking nature

                        This issue of Antennae, and the previous, is part of a project informed by the exhibition Making Nature, and is co-edited with Honor Beddard. Remaking Nature, focuses on the work of contemporary artists whose practice reveals the constructedness of nature as a concept through which to map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This outlook should not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as a desire to reach further deep into the discipline’s productive core for the purpose of devising new natural histories for the twenty-first century. Thanks to Honor Beddard, Wellcome Collection, and everyone who has been involved in the making of this issue over the past two years.



                        IN THIS ISSUE

                        Dr. GIOVANNI ALOI

                        Editor in Chief of AntennaeProject

                        34 essays and interviews

                        featuring key contemporary artists and scholars

                        329 pages

                        202 illustrations

                        MICHAEL JOHN GORMAN

                        2c hunting 9b alexis 1a making 5 unbearable

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                        p 69

                        p 72


                        Our false image of nature needs to change very significantly in light of the fact that 95% of mammals and birds on earth (by mass) are either humans or livestock and that chickens are by far the most common bird in the world.

                        quotation two

                        MICHAEL McCLURE: MEAT THYSELF

                        by Stefan Benz

                        1 making


                        In these years, the sea and its behaviours increasingly serve as an urgent and unrelenting reminder of global warming. Sn?bj?rnsdóttir and Wilson’s most recent series of works, Shooting the Messenger, takes as its leitmotif, the idea of the unwelcome visitor arriving at the

                        shores of an island. MORE >>


                        Making Nature was a year-long programme of exhibitions and events at Wellcome Collection, London, that considered our relationship with the natural world. Displayed throughout the exhibition were the works of 9 contemporary artists featured in this portfolio. Each artwork offered a different perspective on the com-plexities of human/non-human animal relation-ships. MORE >>


                        Making Nature

                        By Honor Beddard/Wellcome Collection


                        Shooting the Messenger

                        Text and images by Sn?bj?rnsdóttir/Wilson

                        9 alexis


                        In Alexis Rockman’s paintings, we do not see human beings. We see memories and vestiges of them in polluted canals, cascading piles of

                        trash, crumbling monuments and mutated animals. MORE >>


                        Alexis Rockman:

                        Natural Histories

                        of the Anthropocene

                        Giovanni Aloi interviews Alexis Rockman


                        Ming of Harlem included the production of photographic documentation, of what was a unique film shoot and performative event, in an apartment - fabricated, established and tem-porarily inhabited by a tiger in an outdoor UK zoo enclosure. MORE >>


                        Ming of Harlem

                        By Phillip Warnell with images by Yuki Yamamoto and poem by Jean-Luc Nancy

                        10 a ming


                        Denaturalizing the museum institution’s foun-dational dualisms, the Hunting and Nature Museum in Paris becomes a naturalcultural contact zone for, as Donna Haraway would

                        have it, keeping up with the trouble. Joshua de Paiva and Anne de Malleray explore how the museum unfolds a relational narrative that invites visitors to stand in the hunter’s boots.  MORE >>


                        Hunting in the          Contact Zone

                        Text and images by Joshua de Paiva and Anne de Malleray


                        BIOTOPIA is a museum for everyone: a discussion and communicationplatform that brings the latest research to life, an interactive place of learning with public laboratories and diverse programs, an interdisciplinary space

                        that bridges the gap between nature, culture, art and design. MORE >>


                        BIOTOPIA: The Future of

                        Natural History Museums

                        Giovanni Aloi interviews Michael John Gorman


                        Sheep Pig Goat aimed to explore how humans see animals for what they really are — not for what we think they are — through a series of

                        improvised encounters between human performers and animal spectators, witnessed by a human audience. MORE >>


                        Sheep Pig Goat

                        Honor Beddard interview: Sam Butler and David Harradine


                        12 sheep 3a biotopia


                        Artists working with environmental issues are contributing to the study and restoration of the landscape in increasingly tangible ways. Equally

                        nature reserves and zoos are engaging in performative practices that would not be out of place in an art gallery. MORE >>


                        Practicing Post-Nature

                        By Beth Savage


                        The Center for PostNatural History in Pittsburgh’s Garfield neighborhood focusses on the collection and exhibition of organisms that have been intentionally and heritably altered by humans by means including selective breeding or genetic engineering.  MORE >>


                        The Center for

                        PostNatural History

                        Giovanni Aloi interviews Richard Pell

                        13a practicing 4a center


                        The Unbearable

                        Impermanence of Things

                        In conversation with Geoffrey Shamos

                        and Libby Barbee

                        14 nature 5a unbearable


                        The Nature of Appearances

                        Text and Images by Jenny Gillam


                        Project Coral is a coral restoration research project located at the Horniman Museum and

                        Gardens in London. Behind-the-scenes, lab-tanks have been designed to mirror the exact environmental conditions of the Great Barrier Reef, enabling corals to spawn within this mesocosm – a world first. MORE >>


                        For the Love of Corals

                        By Sonia Levy and Nella Aarne with images by Sonia Levy

                        15 a love


                        Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

                        still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

                        7a idea 11a lessons


                        We constantly attempt to organise and categorise the world around us. Anna Walsh works with natural history imagery and categorization methods, Her work can be understood as a ‘folk taxonomy’ rather than a scientific process; it is more social and based on local or personal knowledge. MORE >>



                        LESSONS in THINGS

                        Text and images by Anna Walsh

                        p 22

                        p 35

                        p 76

                        6 radical


                        Radicle Stories

                        Text and Images by Katerie Gladdys and Anna Prizzia

                        15 love

                        p 219


                        Adorno’s idea of natural history aims at recon-ciling, in form and in content, theopposing forces of nature and history with the aim of overcoming the division of natural being and historical being that Adorno considered to be the central prob- lem of critical social theory. MORE>>

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                        In the fall of 2019, the University of Denver mounted the exhibition The Unbearable Impermanence of Things, featuring work by contemporary artists whose projects incorporate ideas and aesthetics from nineteenth-century naturalism and natural history. MORE >>


                        PIERRE HUYGHE

                        By Paul Finnegan with images by Pierre Huyghe




                        "IDEA OF NATURAL HISTORY"

                        IN THE WORK Of


                        1 making 50 COVER 1 making


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